In a TrekCulture interview a week ago, Rob Kazinsky, who plays Zeph in Section 31, talked about his reaction to the S13 movie.

He revealed one interesting point from behind the scenes about why the movie was made:

When I got this job, I was like, "Ugh, Section 31 movie, why are they doing a Section 31 movie? It's gonna be hated from the get-go. No ones gonna want to watch a Section 31 movie. We're doing a TV-budget movie. This isn't going to be what people want..." And I spoke to Alex [Kurtzman] and I spoke to Olatunde [Osunsanmi] and they explained to me that Star Trek is dying. And I don't know if people know that. You know, I was talking about Star Trek at my gym where I fight. You know, I'm a boxer where I fight with a lot of kids - you know, I don't fight them but train them - none of them knew what Star Trek was. Could you imagine that?

He went on to say that Star Trek had never had a base as big as Harry Potter or Star

• “Star Trek: Section 31” is the 14th feature length Star Trek film, and and the first film made specifically for streaming.

    • Other Star Trek films include: “Star Trek: The Final Frontier”, “Star Trek Nemesis” and “Star Trek Into Darkness”.

    • The film was originally announced in 2020 as a series, before being transitioned to a movie in early 2023.

• The film’s title refers to the Section 31 organization first introduced in the DS9 episode, “Inquisition”.

• “Star Trek: Section 31” was directed by Olatunde Osunsanmi, who was the co-showrunner for DIS beginning with season three, and directed several episodes of that series.

• The screenplay was written by Craig Sweeny, who also a consultant on season one of DIS, and co-wrote the teleplay for the episode, “Context is for Kings”.

• Bo Yeon Kim and Erika Lippoldt are credited for the story; they were the going to be the showrunners for the “Section 31” television show, and wrote the pilot.

• The

I didn't even know there was a premiere in London on Wednesday, but there we have it.

Highlights: the person who saw the movie described it as "fun," "silly," and "Guardians of the Galaxy meets Fifth Element meets Mission: Impossible".

There's also a full, recorded-from-the-audience Q&A with Michelle Yeoh and Robert Kazinsky.

A big disclaimer at the top here that I am going to be discussing familial death.

Hello to everyone reading this. Not sure why I am greeting you, the reader. Last week my maternal grandfather passed away. He was in hospice care with bone cancer and overall poor health. The lead up to being admitted into hospice was a sudden and unexpected turn. During my grandfather’s final days, my family set up a computer at the foot of his bed so we could watch shows with him. Regardless if he was awake or not I took time by his side and watched Enterprise. As an important side note, I have always lived with my grandparents (I’m Filipino; this is a cultural thing).

In the week since my grandfather’s passing, I have been rewatching Enterprise. When the show first broadcast in 2001, I was 10-years-old. I grew up watching TNG, seeing First Contact and Insurrection in theaters and going on The Klingon Encounter attraction at Star Trek: The Experience in Las Vegas. For me, my grandfather was the

Da ist ein #startrek #Stammtisch in #Heidelberg in Gründung: https://rheinneckar.events/events/1a222761-94be-4840-a27c-d8af6c0e2966

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I do appreciate the more realistic lifespan, starships are massive investments that should last at least a few decades and are designed with continuous upgrades in mind (unless they're called "Enterprise" apparently).

TrekMovie has a brief piece summarizing part of an SFX cover feature on "Section 31," mostly focusing on the changes the project went through on the journey from series to movie.

That got me wondering what else was in the SFX feature, and eventually I remembered that I have a library card, which I can use to access magazines. So...I did that, and here's a summary of what I learned.

The centrepiece of the feature is an interview with Olatunde Osunsanmi, the director. He spends some time talking about the nuts and bolts of "Star Trek City," which is what they call the Toronto production offices. He talks about the benefits of being able to redress existing sets, including repurposing the Federation HQ set from Discovery to be the "Section 31 outpost safe house." On the topic of being economical, he also mentions how "Section 31" has been a

Skin produce #Spock #StarTrek @startrek #meme #humor