Rough and rowdy ways is as good as anything Dylan has ever released.

I loved Tempest, but Murder Most Foul takes commemorative song-writing to a level it has never seen before. I Contain Multitudes is ballsy as fuck, and Goodbye Jimmy Reed just rocks. No idea if it's an unpopular opinion. #Dylan

I propose a rule to discourage the inclusion of Twitter links and the use of Twitter screenshots.

While I understand the desire to integrate platforms like Reddit and Twitter, I believe it's important to maintain a focused and independent discourse within this community.

I have long desired to minimize the integration of external platforms like Reddit and Twitter within this community. However, I've noticed an increasing trend of their exclusion, prompting me to formally propose this guideline here too.

I would appreciate everyone's input on this proposed rule. I wouldn't add a rule unless the community is largely interested in it.

So so wrong this version. Ended up instead with the greatest song ever.

I love how every recording and performance is always atleast a little different

I love when Dylan includes literary references. Although I'm not a particular fan of the Christian era and we see the bible references here which I do not like. Other literary references are welcome and an aspect I love researching as I rarely pick the references myself.

The literary critic Christopher Ricks compares both the imagery and the meter of "Sad Eyed Lady of the Lowlands" to a poem by Algernon Swinburne, "Dolores", published in 1866. Ricks describes Swinburne's poem as an "anti-prayer to his anti-madonna, an interrogation that hears no need why it should ever end". Ricks writes that "Dolores moves ... 'To a tune that enthralls and entices', as does 'Sad Eyed Lady of the Lowlands'." Ricks makes the point that "Sad Eyed Lady of the Lowlands" lists attributes in the same way that "Dolores" does. Ricks describes the way in which Dylan's song attributes so many objects and qualities to the sad-eyed lady as "part inventory, part arsenal, these returns of phrases are bound by awe

You fasten all the triggers

For the others to fire

Then you sit back and watch

While the death count gets higher

You hide in your mansion

While the young people's blood

Flows out of their bodies

And is buried in the mud

You've thrown the worst fear

That can ever be hurled

Fear to bring children

Into the world

For threatenin my baby

Unborn and unnamed

You ain't worth the blood

That runs in your veins

I'm curious what my fellow Dylan-lovers like. I myself am a big fan of 70s Dylan: of course Blood on the Tracks and Desire, but recently I have been enjoying New Morning a lot (except for If Dogs Run Free). From the 80s Infidels is just amazing and it would have been my sole favourite if Blind Willie McTell was on it. I also really enjoy the Bootleg albums Another Self Portrait and Springtime in New York.

Love how he sings every song so differently in every performance.

“Whoever digs a pit will fall into it, and a stone will come back on him who starts it rolling.” I hate analysing dylan lyrics with drugs or religion reference but this has a good case.