The self-titled album felt like the story of an innocent boy, Helplessness Blues felt like that boy was heading out into the big world, and Crack-Up feels like the consequences of that, and the loss of innocence.

Fool's Errand is one of the best tracks on that record for sure.

Is this new? Did Kishimoto really wait until 2023 to write this epilogue when there's already a bunch of Boruto stuff published?

Maybe Fishmans? I also prefer Carrie & Lowell live over the studio version.

It really feels like Ochako has some weird fixation on Toga, rather than this capacity for empathy that the author is trying to convey, yeah. This is making Ochako look like a bigger weirdo than Toga to be honest.

Banger of a song, and their only song after Whenever, If Ever that I really care about.

It makes me so happy when I see someone else recommending Brìghde! I got sold on The Reeling years ago because I read about it on Quietus, and she has been a fav of mine ever since.

Iedereen doet er goed aan om zelf zn muziek uit te kiezen in plaats van het over te laten aan zo'n presentator of wie daar ook verantwoordelijk voor is. Als iedereen hetzelfde luistert en hetzelfde goed vindt wordt t zo'n saaie egale meuk.

Weer een stapje dichterbij Rutte 25. Je kan m nu al zingen op de melodie van Hamburgers met Korting, oh-oooooh.

Personally I like the idea that the chapter is posted by a fan of the series so that they're relatively likely to respond to comments on the chapter. Y'know, have the idea that at least one person is invested in the thing being posted.

Edit: in addition, if I wanted an overview of every single new chapter, I'd just go to mangadex. I'd like an overview of chapters that people are actually interested in discussing, instead.

If you've ever seen that "This is my hole" meme, the story Enigma of Amigata Fault is where that originated from. A personal favorite of mine is Long Dream. And a longer series of overarching stories called Uzumaki is great as well.

Toch stiekem neuken?