Holy heck what a slog. It's 90% incomprehensible 1940s pop culture references, nonsense poetry, and word salad. Then, BLAM, the rest is brilliantly hilarious and fantastically written. (Extremely graphic depiction of coprophilia aside.)

It seems like every time I'm about to put the book down for good, Pynchon throws me a bone and massively entertains. I'm 40% of the way through, and I've almost given up a half dozen times. I am at least starting to maybe glean a little bit of the plot out of the jumble. A little bit. I really hope it becomes a little more clear at some point because it's a little discouraging.

Has anyone here made it through? Worth it? Did you understand what was going on?

What a book!

I've finished all the games more than once on various hardware, but the collection only became playable on Steam Deck relatively recently. They're so much better there!

Any lovers of Metroidvanias or platformers in general owe it to themselves to check it out. Since they were originally GBA games, they scale to the Steam Deck's screen very well and don't hurt my old-man's eyes at all.

Great experience! Can't wait to check out the Dominus collection when I'm done with these. I've played through those a few times on OG hardware as well. I bet they're so much better on Deck! I really hope they've removed the awful touch screen boss capture mechanic in Dawn of Sorrow. I imagine they must have given these are playable on PC, and doing them with a mouse would be just short of impossible.

So, I've found myself responsible for a compilation album put together by members of the Beetlecrab Audio (makers of the awesome "Vector" and "Tempera" synthesizers) Discord.

We put together fifteen tracks of mostly ambient music, but also verging into more groovy electronic and some experimental stuff. It's worth a listen!

All proceeds from the album go directly to CEDO: a charity protecting sea turtles in Mexico. Good stuff!

Anyone else see this thing? Personally, I think TE is out of their mind if they think it's worth $2300. I see the sentiment being repeated a lot.

The disappointing part is, you know it'll sell like crazy, anyway. Screw them for this ridiculous price gouging. Screw people for supporting their price gouging. I'm not usually a vindictive person, but I hope sales are awful so they don't inspire anyone else to try this approach.

Seriously, anyone considering this thing, go buy a Digitakt or an Oxi One and use it with your phone and take a nice trip to Thailand or something with your leftover money.

All the synthtubers are gushing. I'd gush too if TE forwarded me one early for free.

My latest Oxi One - Beetlecrab Audio Tempera - Erica Synths/Sonic Potions LXR-02 jam. I'm not usually one to jam and instead plan stuff out pretty meticulously, but this set up is just so fun to mess around with.

Did anyone else see this? It's in pretty early development, but exciting! I'd love to see the Steam Deck become a M8 competitor. Not because I think Valve needs any more money, but because a M8 is so hard to buy and this would be a decent placeholder.

Or more! It's obviously got a lot more processing power than a M8. Hopefully it gets some decent synth emulations (Mutable's open source ones?) Analog sticks open up some interesting performance options, too.

The biggest drawback would be the need for some kind of external interface if you wanted to use it as a sequencer. M8's got it beat there. Mechanical keys are also nicer than the SD's buttons.

I have been using my tempera relentlessly. I have in fact started finally populating my YouTube channel almost exclusively with tempera videos. I do still have Doctor Doctor lying around. Haha!

I'm the sole mod of our (I use the term loosely) synthesizer community. There's so little engagement, why not just spam it?

I'm waiting for a refund I told myself I'd wait for before buying an Oxi One. I paid for a car repair last year, and it turned out the part was faulty on all those vehicles, so they're giving me my money back. It wasn't a cheap repair, either. It will almost cover the cost of an Oxi One entirely. The refund should be here any day, now.

I've watched the number of Oxi One's on their website drop from undefined, to 8 left in stock, to 2 left in stock. Needless to say, it's a bit of a nail biter. Will my bank's sloth prevent my purchase and save me a bunch of money I'll probably just blow on something else? Who can tell? 4 of 3-to-5 business days have passed. I'm literally shaking. Haha!

I don't actually need the refund. I have the money now, anyway. It's more fun this way!

I've all but blown my tax refund on an Oxi One at this point, but I though I'd ask (if there's anyone around..) I've looked at the major contenders, and I'm pretty sure the One is the one for me. Korg SQ64 and Arturia Beatstep/Keystep Pro seem a bit too simplistic for my purposes, Hapax a little too expensive, and Cirklon, well, I'm not waiting 4 years or spending that much.

The only thing the One has against it is that I'm not really a modular guy, and it has a lot of modular functionality. The Hapax is probably a better choice since I work mainly with MIDI, BUT, I also don't have much space left and the battery powered, smaller One really appeals. I also don't really have that big of a set up, so the four sequencers of the One are definitely enough. Especially since I shall mostly be using it with a DAW and if I really need more sequencing power, it's there. The Hapax is likely quite overpowered for my purposes.

Am I missing any obvious choices? I saw a fairly cheap Toraiz Squid, b

I ordered one some time back, and it showed up two-and-a-half weeks ago. I've been making patches almost daily. Well, to be fair, I generated a fair number of samples before I even got it. Some of them worked out, others did not. I've been on the Discord with the creators, and they actually implemented a couple of firmware changes I suggested. Damn! It's an amazing creative tool with a great community behind it.

I'd write a full review, but that would take time away from continuing to use it. So much potential, so many ideas. I can't wait to absolutely slather my next album in it.

You can see some examples on my YouTube channel: https://www.youtube.com/channel/UC3hZED_SAmcAeUGli_1Elew

So, my work machine was getting long in the tooth. Occasionally not booting and requiring me to jiggle memory sticks or tighten CPU cooler screws. It was a DDR3 machine with a Xeon E3 1230V2 with 8gb of RAM (and oddly enough an RTX 2060.) The fans were getting pretty loud, too.

I had a Ryzen 2600x and 16gb of DD4 from my home PC lying around, so I bought a cheap mainboard, tore the old one out of the case, attached all the hardware to the new mainboard - including the SSD with Mint installed - and BOOM! It booted first try without issue. Even going from Intel to AMD, DDR3 to DDR4. My mind is blown!

I can't imagine how borked my machine would have been if I'd tried that with Windows.

Now, what do I do with a still-working Xeon and mainboard?!?

Peter Watts' Blindsight should be no stranger to anyone on PrintSF. On our Reddit incarnation, it was recommended in just about every thread asking for recommendations. It was sometimes even a suitable recommendation.

Echopraxia is its much-less-well-known sequel, and it's the Art Garfunkel to Blindsight's Paul Simon. It's definitely not as well thought out or comprehensible, but it still does its own thing pretty well, and is a great complement to the other. Though, it might not quite stand on its own so well.

Watts has changed the setting from near space to, well, nevermind, we're back in space. There are some bits early on that are on Earth, and I thought those were quite promising. There's some great world building - and it really is a fascinating near-future Earth that he's thought up - but, well, a chapter in and we're thrust back into space aboard another spaceship with a whacky crew of post-human misfits.

Which is fine. Blindsight proved he's quite adept at writing

If you don't know what it is, it's two Sega Genesis (Mega Drive) sound chips (Yamaha 2612 in V1, and uhh, some other number in V2) in a small aluminium box with a boatload of faders to control every aspect of each operator, some LFOs to modulate them, and an arpeggiator/sequencer (I never use).

You might think it sounds like a Sega Genesis game all the time, but it does not. The LFOs really open up the 2612. It does some amazing performance tricks you certainly don't hear in Sonic the Hedgehog. But, it does those, too. Channel your inner Yuzo Koshiro, then make it sound like something entirely else.

A while back, Twisted Electrons saw fit to make the firmware open source, and it's wonderful how much functionality they've added. Looping envelopes that can loop from different points in the six-stage envelopes, new voicing options, a MIDI tool to change settings from your PC, heck, a c

Recently I've been on a hardware granular synthesis search (we're in a renaissance) and I love seeing how each box (1010music - Lemon Drop, Tasty Chips - GR-1 and GR-MEGA, Oddment Audio - groc, and the plinky and Tempera) implements their particular version of granular synthesis because I can steal their ideas!

I watch a tutorial or demo video, and they explain how the hardware works. I can then go and open up Notepad++ and code up my own version of their instruments in Csound. For free. I don't even have to subscribe to their silly hardware limitations, either.

It doesn't exactly stop me GASing over some of them (man, the groc looks sexy, though it's a bit early to tell how good it is), but it does at least prevent me from making too many impulse purchases.

This turned into a bit more of a CSound rave than I intended again. Seriously though, if you're interested in sound synthesis and are even mildly technologically inclined, I really advise learning either Csound or one of the o

In my ongoing quest to destroy my bank account and prevent my child from attending university, I'm considering a Nanobox. Specifically the Lemon Drop because I've had a fascination with granular synthesis for something like 25 years now, and the Razzmatazz, Tangerine, and Fireball don't really appeal to me at all (at least not right now while I'm lusting over hardware granular synthesis.)

Up to now, I've done all my granular synthesis for free! Csound has a number of granular opcodes that are incredibly powerful. Sample length limit is almost non-existent, grain density can be cranked into the tens-of-thousands before it starts to become a problem, you will never run out of voices, and there are more tweakable parameters than you find on any piece of hardware. Even something like the GR-MEGA from Tasty Chips really can't keep up with Csound and a mildly competent PC.

So yeah, I'm not used to paying money for granular synthesis, but I'm also used to generating all my granular sounds w

Seems like every couple of months, I seriously GAS over one of these things, and then think better of it. It's getting harder to resist. The extra screen space, battery life, onboard mic (unless it's total garbage), and USB C connection make it way more tempting. Not so much the extra $$$ tho. Still cheaper (and better) than a Polyend Tracker Mini here in Korea.

I had a bit of cash, and have been working with a portable setup lately that is mostly Koala Sampler, my phone, a Samson Go mic, and a tiny DAC that is literally a USB-C jack to two 3.5mm audio jacks, one in and one out, and decided I needed some more hands-on sound design power.

In the spirit of maintaining portability, I looked to smaller devices. The problem I find there is that a lot of portable devices look like they're about as much fun to design sound on as a VST or app, so why not just spend a fraction of the cost and do that instead? I did end up working out some of the trouble I had getting Csound for Android working, which is great since there's almost infinite sound design potential there if you don't mind coding (which is how I mostly made music for the first 15-years I was doing it.)

I made a track with Csound and Koala, and decided I still wanted something more immediate than code. So, I bought a Microfreak.

I'm sure the copious firmware updates in the 4 years since i

Surely, this can't be a coincidence.

With all the talk of samplers since TE decided to release the ridiculously hyped K.O. II, I decided to finally pick up Koala Sampler. I've heard many good things about it, and for good reason. It's amazing! It's so immediate and fun and actually stupid powerful if you shell out (~$15 for everything) for the mixer, effects, and time stretch extras.

I dusted off my ancient sample collection and plopped them on my phone (Galaxy S23 Ultra) and am putting finishing touches on 3 tracks in just a few days, and just hauling it out to play with my daughter who gets a kick out of it. I even found a new use for my Samson Go mic which works with Android and has a headphone jack. It's perfect since the S23 Ultra doesn't have a headphone jack (fuck you very much Apple, Google, and Samsung) and the Samson mic is obviously much better quality than the (actually not that bad) internal mic.

My phone battery hates me. Though I don't really notice Koala being any more demanding than anything els